Wong Kar Wai is one of my favorite directors. His movies, whether it is set in the future or in the past, has a timeless quality to their stories. His characters are often misfits, obsessive, and a little deviant. Unlike in real life where people are bleached by work pressures, social pressures, and the general media from sharing our little personality quirks, Wong’s movies embrace these quirks in its anti-heros. I feel strong attachment to his characters because of their vunerability.
My favorite Wong Kar Wai movie is “Chungking Express“. It should be available now in the foreign section of your local video store thanks to Quentin Tarantino’s Rolling Thunder Pictures label. Although I warn you, Quentin talks way too much before and after the movie, I would give him the fastforward treatment.
Chungking Express is a modern love story starring Tony Leung, Faye Wong, Takeshi Kaneshiro, and Brigitte Lin. Unlike regular love stories with sugar-saturated suspension of belief fairy-tale plots, ChungKing Express is urban and contemporary. The movie somehow uses a paging device, expiring cans of fruit, and the ubiquitous city food stand as plot devices. Faye Wong is absolutely ethereal, and watching her act is alone worth a look at this movie.
What got me writing about Wong Kar Wai today was a NY Times article, “The Master of Time: Wong Kar-wai in America”. Wong is apparently shooting a new movie in New York. Similar to Ang Lee who made the jump into Hollywood from asian cinema, Wong is also attempting this leap with the upcoming “My Blueberry Nights” starring Norah Jones, Natalie Portman, and Jude Law.
What is interesting is his choice of using Norah in this movie, who like Faye, also is multi-talented, but is known primarily as a singer rather than an actor. Can Wong pull off his style in Hollywood? Can Norah hold her own as an actress? The movie is due out middle of next year, so I will be anxiously waiting.